|The Samantabhadri, white resin, approx. 14 in. high, 9 in. wide, and 7 in. deep. By Minette Mangahas|
|The Samantabhadri, bronze, approx. 14 in. high, 9 in. wide, and 7 in. deep. By Minette Mangahas|
|The Samantabhadri (rear view), bronze, approx. 14 in. high, 9 in. wide, and 7 in. deep. By Minette Mangahas|
-- Tulku Urgyen Rinpoche
Excerpt from "Dakini Teachings: A Collection of Padmasambhava's Advice to Yeshe Tsogyal."
In the Tibetan Buddhist tradition, she takes the form of Samantabhadri (Tib. Kuntuzangmo).
She is traditionally portrayed as naked, white and luminous. Without ornament, she is seated on a moon disc and lotus. Most sculptures in existence portray her in union with her partner, Samantabhadra. She is central to practices of the Vajrayana and Mahayana traditions.
It is important to note as well that she is beyond all dualistic conceptions—including emotions that we have such as
desire, attachment, and love, which is inherently dualistic. (Ultimately there is no object to love, nor subject that loves.) We speak of her and identify her as "she" and "female" because of the convenience of language--which is all we have.
Ultimately, Samantabhadri represents the very possibility of being, itself.
Read about of the process of creating the statue from an earlier post: